Two rooms, a real analog front end, and engineers who've spent fifteen years learning when to push record and when to shut up. Block rates that won't eat your pressing budget.
Three spaces, one standard: if it leaves here sounding average, it doesn't leave here.
1,100 sq ft live room with 14-foot ceilings, iso booth, and enough natural wood to make a drum kit sound like a drum kit.
Purpose-built mix suite around a 32-channel analog desk, treated by an acoustician who charges more than our rent.
Small room, big ideas. Vocal booth, a couch that's heard a hundred first drafts, and coffee that keeps sessions honest.
Full band live off the floor or layered one part at a time. We've done both at 3am and we have opinions about each.
In the box, on the desk, or hybrid. Bring us your sessions from anywhere — including the ones recorded in a bedroom. Especially those.
Loud enough for streaming, dynamic enough to survive it. Singles from $60, albums quoted per project.
Comping, tuning done tastefully (or not at all — your call), and a booth that flatters without lying.
Broadcast-quality VO chain, same-day turnaround on edits. Half of Austin's podcast intros were cut in The Den.
Need a pedal steel player at 9pm on a Tuesday? This is Austin. Give us two hours.
We're not gear snobs — we're gear pragmatists. The Neve-style preamps and the '76-style compressors are here because they make singers sound expensive, not because they look good on Instagram. (They do look good on Instagram.)
Every session gets the same signal path treatment whether you booked two hours or two weeks. The difference between us and the big rooms downtown isn't the sound — it's the invoice.
"We tracked our whole record in five days in Studio A. The rough mixes off the desk were better than the final mixes from the last studio. Not naming names. They know."
Call, email, or just send the demo. We book two to three weeks out most of the year.